The last couple of days have afforded me an interesting opportunity to observe Latvian youth culture (at least of the Christian variety). Two weeks ago, I was invited to help lead worship with a young worship leader & songwriter named Arta. She had the vision to create an environment where young Christian musicians could get together, worship God & share music that we would each know, whether a worship song we’d learned or something we’d written.
There were about 10 people who showed up to the first meeting, mostly teenagers, some of whom I’ve met in other capacities. We had a time of worship. It wasn’t earth-shattering, but you could definitely tell that God was enjoying our music to Him. After worship, Arta opened up the mic for anyone to come up & share a song. Ieva, of course, jumped up & started playing some stuff that she’d either written or knew. I’ll talk about Ieva in a bit.
It was all so awkward for me through the whole thing because I’m so much older than everyone else who was there. At the same time, though, I chose to squelch the nervousness that came from the awkwardness. I’m glad I did. Arta told me that she had a blast, & she felt that it was a success. Other people obviously enjoyed it because a lot of the same people came this past Friday again, two weeks later.
I’ve taken a lot of time to understand the reason I felt the awkwardness that night. I said that it’s because of the age difference. Well, that’s only part of it. Another part is that I don’t know any of these people well at all. Another part, which I think is more significant, is that, as an American Christian, I’m used to structured programs. I’m used to defined leadership roles. Basically, I’m used to just plain knowing what’s going to happen next. This is not always the best approach to something that God wants to do. Yes, God is a God of immeasurable order, but He’s also quite chaotic within His order.
This past Friday, we had another musicians’ night. Instead of 10, 39 people showed up, most of whom were female under 18 (I’d guess at about 75% of the group). Seven of these people were young ladies from a Creative DTS in Norway spending 5 weeks here in Latvia.
We had a time of worship, which again, was powerful & special. This time things were a wee bit more structured. Arta made sure to encourage people to come up to the mic. This time we had two youth worship teams share at different times, & one of the girls on the Norway team shared a couple of songs. It was quite interesting.
Arta then invited me to join her again with her team the next day to lead worship for youth group. This time, the worship time seemed even more powerful. The team from Norway was there again & shared a drama/dance presentation that was incredibly moving. I only wish that I’d gone with my gut & brought my video camera.
Ieva… she’s 17, looks so small, but she has a huge voice & a solid character. She’s also an incredible songwriter, like Arta. Ieva asked me to give her guitar lessons. I’m still dumbfounded by this, since she already plays as well as or better than I do. Anyway, the first lesson, we worked a little on some strumming & fingering techniques. The 2nd lesson the next week, I asked her to bring some worship songs written in Latvian. I lead worship in Latvian, & I want to learn some more songs in Latvian, so I’m not playing the same 10 songs for the next year.
Anyway, she shared two songs that had been translated from the original English into Latvian. These were actually very good translations, as they not only kept the message of the song intact, but they also worked well musically. If you’ve ever sung a song in a language that had been translated, then you’d understand that it’s a very difficult thing to find a well-translated song. Languages have different rhythms, so to translate music is quite challenging. It’s not just a matter of translating the words, but you have to work with the rhythm of the song, also. Usually a song that’s translated ends up having a very different word rhythm than the original. Anyway, I digress.
Ieva shared two more songs that she had written. Wow. I asked her to help me understand the content & wow. Only 17 & she already has such a good understanding of God’s character.
So this lesson was my time to learn. We laughed a lot as I muddled through the new words for me in Latvian. We had a lot of fun.
So, finally I come to the observation that I talked about at the beginning of this novella. From my perspective, it seems that when you go into a new culture as a missionary, you get this “savior” complex where you think, “I’m going to be the one to change this culture for the better” or “I’m going to be the one whom God uses to show these people the real way of life & freedom in Christ”. To some extent this could be true, but there’s a major piece missing: knowing who they are first. It’s impossible to be a positive influence in anyone’s life if you don’t know them & they don’t know you. The other thing to consider is that maybe God brought me to this culture for me to learn how to live better & for me to better understand the real way of life & freedom in Christ.
Also, it’s more important to step back & see what God is already doing in a culture. God is not in the business of “changing” cultures. He’s in the business of redeeming them. He loves diversity & the last thing that He wants is a bunch of culture clones. So, I’m in the market for His business. Already I’m seeing that God is doing huge things in this country. These two young ladies, Arta & Ieva, that I’ve been privileged to interact with are excellent examples of how God is moving on the hearts of Latvians. As I spend more time with them & their friends, I realize more & more that I have so much to learn from them about God & worshiping Him.
If you made it through this, probably my longest post to date, I congratulate you & I ask you to please leave your comments. What are your thoughts as you read this?
Cheers,
~t